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cryingss:


Ana Rosa Rivera Marrero (Puerto Rico, b. 1967)
Los tres Pablos (Piel encarnada) / The Three Pablos (Ingrown Skin), 2000
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Sometimes I’m inspired to do something nostalgic like play a video game or watch a show from my childhood and it’s not at all as good and it makes me feel terrible. 

foxygod:

mattxfrost:

I will write about the following, leave one in my ask box.

Dear person I hate,
Dear person I like,
Dear ex boyfriend,
Dear ex girlfriend,
Dear ex bestfriend,
Dear bestfriend,
Dear *anyone*,
Dear Santa,
Dear mom,
Dear dad,
Dear future me,
Dear past me,
Dear person I’m jealous of,
Dear person I had a crush on,
Dear girlfriend,
Dear boyfriend,
Dear [insert URL here],

do it

This looks like a real cool exercise

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alternativeart:

Michael Whelanmichaelwhelan.com
ShortFormBlog: Updates on Boston Marathon Terrorist Attack (7:10 PM)

thepoliticalfreakshow:

  • This appears to be the first major act of terror on American soil using explosive devices (treating airplanes as such) since 9/11

Why is this terrorism and Newton or Aurora aren’t? I think the bright line between the two concepts is political motivation, and that has yet to be established. 

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joystickdivision:

Do you like Neon Genesis Evangelion?
The early episodes were a little too typical of the mecha genre for my tastes, but when they introduced Asuka in episode 8, I think the anime really came into its own, plot-wise. The animation is clear and crisp, and a new sheen of professionalism really gave the anime a big boost. Hideaki Anno’s been compared to Osamu Tezuka, but I think Anno has a far more bitter, cynical sense of humor.
In episode 16, the anime takes a completely serious turn, replacing what normally would have been fanservice with scenes of emotional trauma. I think the undisputed masterpiece of the series is episode 26, an episode so confusing, most people probably don’t watch it. But they should, because it’s not just one possible conclusion to the anime, it’s also a personal statement about Anno’s own depression!
Hey Paul!
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blue-voids:

Graham Dean - Close-Up Kiss, watercolor on paper, 1988
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homesighs:

Chou Yi